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Is Washington Suffering from Journalist Dinner Overload?

June 19th, 2009
U.S. President Obama attends the Radio and Television Correspondents Dinner in Washington.

President Obama at 2009 RTCA Dinner

President Obama in his speech to the RTCA got right to the heart of Washington’s journalist dinner rivalry, saying he was on hand to “Tell jokes that weren’t funny enough for me to use when we did this five weeks ago,” at the White House Correspondents’ dinner (known as the Senior Prom to the RTCA’s Junior Prom.) Then again, he said, twisting the knife deeper: “The jokes may not be as good but neither is the guest list.”

And later: “I think your programming is more relevant than ever before — at least that’s the impression that I get when I read the blogs.”

In his appearance before the Radio and TV correspondents at the Washington D.C. Convention Center, the President was unaccompanied by First Lady Michelle Obama on the orange and yellow rose-rimmed dais and he left at 9:20, before dinner was served. His short stay prompted some last-minute frantic juggling of the entertainment lineup, according to insiders. VP Biden wasn’t there, either, despite apparently erroneous earlier reports that he would attend. A spokeswoman said that he had a scheduling conflict.

Rachel Maddow on MSNBC, right after the speech, noted the President’s “sharp elbowed humor;” a few tweets from the dinner suggested that his humor was “underappreciated” by the audience. He cracked himself up several times, however.

The biggest laughs of the night came when he joked about embattled California Gov. Arnold Schwarzenegger competing on “I’m a Celebrity….Get Me Out of Here,” then added: “That’s how I feel about tonight.” The dinner, he said, was causing him to miss “date night” with Michelle, and his plans to go for Thai food-pause-”in Bangkok.”

A joke about being in bed with NBC’s Brian Williams, whom he called a terrible house guest, was followed by a list of new TV programs that the success of “Inside the White House” had inspired, the funniest of which was TLC’s “Jon & Kate plus Peter Orszag.”

5th Annual Moves Power Women Awards

Joe Scarborough and Mika Brzezinski

There was also a mild jab at NBC White House Correspondent Chuck Todd for having the style of a TV correspondent and “the facial hair of a radio correspondent.” To MSNBC’s Mika Brzezinski, he said: “We both have partners named Joe who used to be in Congress and don’t know when to stop talking.” CNN’s Wolf Blitzer, he noted, was “the only other man in America with his own situation room,” and it was cooler than the President’s, which he said, was unable “to generate the bandwidth to turn Larry Summers into a hologram.”

Random jokes poked fun at his own Administration, including Richard Holbrooke, whom he alleged sprayed WD-40 that caused Secretary of State Hillary Clinton’s elbow-breaking fall. He announced a “new” plan to rescue the auto business, telling dinner guests to look under their seat, a la Oprah, because everyone was getting a car company. Fox, he said, would get AIG.

Looking relieved that his speech was over, the President ended his remarks with a serious tribute to the work of the press, noting “I am here tonight because I appreciate the role you do.” He got the traditional standing ovation at the beginning and end.

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Inside NBC’s “Inside the Obama White House” — Part II

June 14th, 2009

How They Did It

Pre-production Meeting

NBC News VP Mark Lukasiewicz briefs camera crews during a pre-production meeting in the Old Executive Office Building on Thursday, May 28.

Mark Lukasiewicz (a.k.a. “Luk”) was the Executive Producer behind one of NBC’s most revealing portraits: “Inside the Obama White House, Brian Williams Reports.” WHC Insider reported Luk’s production plan to create the most personal look yet at the White House and this President. Today, we go behind the scenes with Luk as he tells us how they got the “get of the year.”

Linda Rozett:  How long did it take to get the administration to agree to appear under this sort of microscope? How did you convince them to cooperate?

Mark Lukasiewicz:  We began that conversation very early with Robert Gibbs and other Obama advisers. The conversations got more serious in February, and then got even more serious after the White House Correspondents Dinner in May. NBC has done this kind of show with virtually every administration since Nixon; it’s a very long tradition. President Ford was the only exception, since he wasn’t in office long enough. It’s been our practice to approach each new administration to participate, because it’s an opportunity to introduce the nation to them and how they work.

After that, we had a number of meetings on the details: the number of people involved, equipment to be moved in, where we would have cameras, and work space. We had a space in the Old Executive Office Building. Finally it became a matter of finding a date that worked.

From the outset I had the strong impression it really was only a matter of when, not if. The White House understood the value of this project in terms of introducing this administration to the country, to their key players. I didn’t sense any hesitation on their part.

Please enable Javascript and Flash to view this Flash video.

Were there any restrictions on what you could shoot (rooms off limits, security, etc.)?

There were conversations with the Secret Service to make sure we weren’t doing anything inadvertently to compromise the President’s protection. And there were definitely areas we would have been happy to shoot, but were told no. Not the residence floors of the White House where the Obamas live. Not the Situation Room, for example, and limited opportunity to shoot in the areas occupied by the National Security people.

But the restrictions were really minimal in terms of where we could shoot; and almost all of them had to do with security.

How about the staff — any restrictions there?

No.  But there were some logistical issues — making sure we could carve time out of the day to have access to the key players.  Once we had agreement, we needed to make sure Brian Williams could stop in on certain people, that they’d have a free 15 to 20 minutes on their calendar.

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Inside NBC’s “Inside the Obama White House”

June 13th, 2009

Obama captures prime time

First Shot of the Day

Obama Walks to Oval Office -- courtesy Antoine Sanfuentes

Mark Lukasiewicz (a.k.a. “Luk”) is one of the biggest names in TV news, yet he operates behind the cameras and lights — and notoriety — as a Vice President of NBC News.

He has been leading NBC News’ digital efforts and on the side (ahem) over the years he has created and produced some of NBC News biggest events, the most recent: NBC’s “Inside the Obama White House, Brian Williams Reports.” With amazing access and resources, he and his team shot 150 hours of tape and created two primetime network hours, which also appeared on NBC’s cable channel MSNBC.

WHCInsider talked to Luk about the two-night special report, both of which captured a “top 10″ TV ranking for that week. about how the NBC the program came together.

Linda Rozett: Did you plan what everybody would be shooting beforehand, or did you just show up with lots of people and start shooting … and sort it out in the edit room?

Mark Lukasiewicz: The White House puts out a public schedule each day, so we certainly knew in advance some of what would be on President Obama’s schedule.  But in terms of exactly how it would unfold, there’s no way to know that.  You just roll with it. In the end, the broadcast included an entire chapter on how the White House managed the Sonia Sotomayor story — and that episode completely unfolded before our eyes. No one could have predicted it.

South Lawn

Deputy Press Secretary Josh Earnest and NBC News VP Mark Lukasiewicz on the South Lawn of the White House, consider camera locations for "Inside the Obama White House: Brian Williams Reports" – courtesy Subrata De

In the process we followed, every producer submitted an outline of their best material, what they saw what was noteworthy, what unfolded. Each submitted the outline by midnight on Friday, a few hours after they left the White House.

Before leaving the White House Brian, Subrata De and I were also able to compare notes — and overnight I put together a 12-act outline of the two hours incorporating all the best material from the producers, and laying it out and structuring it into a rough narrative.

By noon Saturday everyone was back in New York and the entire team went to work on that 11-page outline, in a two-hour meeting.  We moved some things around, added some things, took some others out.  And at the end of that meeting, a producer/editor team was assigned to begin producing each act.

Sunday was another full day in a “war room” on the 5th floor of 30 Rock, where Brian worked with each producer/editor team and scripted each act in sequence.  Brian recorded his scripts for those acts Sunday evening.  By Monday morning, we were screening a largely completed version of the two-hour special.  It was an incredible process.

In addition to the NBC Special, didn’t you have time on MSNBC?

On NBC, we had one hour on Tuesday, June 2, and one hour Wednesday, June 3.  We combined those into a single, two-hour program on Friday, which also ran on MSNBC on the weekend.  And very soon, it will be a DVD.

And had our own website for the broadcast: www.whitehouse.msnbc.com.  Pieces of video that we let run longer and stuff that didn’t make the broadcast, we put that on the website. We also had web-exclusive elements — our web producers were involved from day one; and msnbc.com had its own editorial team with us at the White House.  They had access to everything.  The website also has the full two-hour video, as well as all the previous “Inside the White House” broadcasts going back several years

With that much material, you must have had some good stuff that got left on the cutting room floor … what were your favorites that just didn’t quite make the cut?

There is. We had 150 hours of material. One thing we couldn’t get into the Monday, Tuesday broadcasts, but got in on Friday was a section about White House photographer Pete Souza. The producer who shot that material made the case for a great segment; a lovely and fascinating little glimpse of how the White House photographer works, how he works with the President. The segment told the story behind a particular photo, hanging in the West Wing, of a young boy in the Oval Office. The picture shows a 4-year old standing in front of the President’s desk and Obama is leaving over so the young boy can touch his hair. Souza told us the little boy had recently had his hair cut and wondered if their heads felt the same. In the photo, Obama is leaning over so the boy can feel his head.

How would you describe Obama’s comfort level with cameras following him that closely for an extended period?

I can’t speak for the President on this, but it appeared that he was very comfortable. We certainly had extraordinary access to him all day long in different settings: casual interactions with immediate staff members, casual interactions with the First Lady, walking from place to place, backstage, meetings in the Oval Office, in the Roosevelt Room, in the limousine, getting off the elevator in the morning and getting on the elevator in the evening. He seemed very comfortable.

Any surprises during shooting?

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List of Previous Talent: From Sykes to Nixon’s “Disneyland Golden Horseshoe Review”

March 30th, 2009

Timeline of WHCD Performances From Wikipedia

1945:Performers included Frank SinatraDanny ThomasJimmy DuranteFanny Brice and Danny Kaye.

1969: President Richard Nixon personally requested the Disneyland Golden Horseshoe Revue.

wallyboagpecosbill

Wally Boagpecosbill from Golden Horseshoe Revue

1976:The dinner featured Bob Hope as emcee and Chevy Chase.[10] When President Ford rose to speak, he “accidentally” caught a tablecloth in his trousers, causing silverware to fall in Chase’s lap. He also pretended to trip as he approached the podium, flinging pages he was carrying into the audience—he then began his speech with “Good evening. I’m Gerald Ford and you’re not” (a reference to Chase’s catchphrase from Weekend Update

1985: Rich Little and President Ronald Reagan in a dual press conference skit.

1988: Yakov Smirnoff

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